Still Counting (16 hole Chromatic) - HarpTabs.com
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Still Counting (16 hole Chromatic)


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Song Name: Still Counting (16 hole Chromatic) By: Volbeat
Posted By: EarthDogHarpin Difficulty: Intermediate
Key: G Genre: Rock
Harp Type: Chromatic Audio: Still Counting (16 hole Chromatic)
Created: 2013-03-06 19:20:58 Modified: 2013-03-06 19:45:55
Rating: Login to VoteAvg Rating:More Votes Needed
Fav Count:0
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Song:

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Still Counting (16 hole Chromatic)
By Jon Larsen, Thomas Bredahl, Anders Kjolholm &
Michael Poulsen
Performed by Volbeat
Key of G Major
Vocal Range: D4 to B5    Instrument Range: E3 to B5
Adapted for a 16 hole Key of C Solo tuned chromatic

Tab notations:
none = blow     - = draw     * = button in     ___ = hold
. = lower register (first four holes on a 16 hole Chromatic  or 12 hole Tenor C Chromatic.)
-56 = -5 is a grace note, 6 is the main note
-(8x4) = tongue blocked draw octave
(76x3) = tongue blocked blow chord or interval
–(6X2)* - tongue blocked draw octave with button in
2*_2 = slide or slur; move smoothly from note to note

Intro:
Moderately slow

 -(8x4) -(8x4) -(8x4) -(8x4) -(8x4) -(8x4) -(8x4) -(8x4)

 -(8x4) -(8x4) -(8x4) -(8x4) (76x3) (76x3) –(6X2)* -(6X2)*

7     6   6   6   -56   6     6  6  -56_
Count-ing all the  ass-holes in the  room.

-4    6   6   6  6   6  -56   6  6_-5__
Well, I’m def-in-ite-ly  not a –lone,_

2     -4  -4 -4  -44_-4-4*_-4-4*__-4_
well, I’m not a – lone.____________

-2*-4     -4 7  6   6      6 -56     6  6      6  -56_
  You’re  a li-ar, you’re a  cheat-er, you’re a  fool.

-4    6     -56   -56   6  -5-56_-5
Well, that’s just like me, oo,  hoo,

-1_-4 -4 -4   -4   -34__-4-4*__-4-4*___-4
and__  I know you,  too._______________

-4  -4  7   6    6     6 -78    -7 -7  7   7_6
Mis-ter Per-fect don’t ex–ist, my lit-tle friend,

-7-8  -8 -7-8  -7  7   7  7 7_6_-5__
 and I’d tell you it all a-gain,___

3-4  -4  -4 -4 -4 -34_-4-4*__-4
 and I’d do it a-gain._______

7     6   6   6   -56   6     6  6   -56_
Count-ing all the  ass-holes in the  room.

-4    6   6   6  6   6  -56   6 6_-5__
Well, I’m def-in-ite-ly  not a-lone,_

-1    -4  -4 -4  -34_-4-4*_-4-4*__-4__
well, I’m not a – lone,_____________  zsha!

Interlude
.2.2.2.2 .2 .2 .2 .2 .2 .2 .2.2.2.2 .2 .2 .2 .2 .2 .2

.2.2.2.2 .2 .2 .2 .2 .2 .2 (.3x3)  (.3x3) -(.2x2)

Double-time feel
.2.2.2.2 .2 -.4 .2 .2 -.4 .2 .2.2.2.2 .2 -.4 .2 .2 -.4 .2

.2.2.2.2 .2 -.4 .2 .2 -.4 .2 .3* .2 .2 .2 .2*_.2 .2 .2

.2*_.2 .2*_.2

.2.2.2.2 .2 -.4 .2 .2 -.4 .2 .2.2.2.2 .2 -.4 .2 .2 -.4 .2

.2.2.2.2 .2 -.4 .2 .2 -.4 .2 .3* .2 .2 .2 .2*_.2 .2 .2

.2*_.2 .2*_.2

.2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 .2*_.2

.2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 .2*_.2

.2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 .2*_.2

.2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 .2*_.2
                                  End double-time feel

.2 .2 (2X6)_____ 2 -3_-4__ -3_-4_-3_-1 (3x.3)___ (3x.3)

.3 .3 .2 (1x3)__ (1x3)_-2* -2*__

-3   7    6  6  6   -56    6  6    6   6_
Look deep in-to your-self be-fore you blame

-56   6   6   6   6 -56_   -5__
  all oth-ers for be-tray-al,_

-4   -4  -4 -34_ -4-4*_-4-4*__-4
now, for be-tray-al.__________

-3 7    6   6 -7-8_  -7 7  7_6
 A prom-ise so eas – y to say,

-7-8   -7  7  67_6_-5_
and eas – y, you failed,

-4  -4  -4 -4 -4  -44_-4-4*_-4-4*__-4
and you do it a - gain.____________

-7    -7  7-7   7  7    7   -6*_  7_6_
Well, the  mus-ic seems to cov – er__

6   6   7-7 7    7  7   -6* -6*7___-6*_6_-4_
all the li–quid do the col - ors.__________

7-7_  -7 7-7   7  7    7   -6*_
 Well, I  turn my back and go__

-6*6_  6   6   7-7  6   6      6  6-6*_ -6*7___-6*_6__
  for all the bet-ter things in  or__ - der._______

Bridge
(2X6)_____ 2 -3_-4__ -3_-4_-3_-1 (3x.3)___ (3x.3)

.3 .3 .2 (1x3)__ (1x3)_-2* -2*__

-3    7   6  6   6_    6    6   6  6_
Well, may-be you think your lie is safe,

-5  6 6    6   6    6 -56_  -5__   
but I read you like a   let–ter.

-4     -4  -4 -34_-4-4*_-4-4*-4
You’re like a  let________-ter.

-3   7      6  6   -7-8_ -7    7   7_6
Your charms do not  e – vince the pain,

-7-8_   -7 7    67_6_-5__
it  fills  me with rage____

-4  -4  -4 -4 -4-4-4*_-4-4*_-4-4*__-4
and you do it a- gain._____________

-7    -7  7-7  7  7     7  -6*  7_6_
Well, the mus-ic seems to cov – er_

6   6   7-7 7    7  7   -6* -6*7___-6*_6_-4_
all the li–quid do the col - ors.__________

7-7_   -7 7-7   7  7    7   -6*_
 Well, I   turn my back and go__

-6*6_  6   6   7-7  6   6      6 6-6*_ 7___-6*_6__
  for all the bet-ter things in or - der._______

Interlude
.2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2

.2 .2 .2 .2 .2 -2_3 3 3 3 3 3_-3 -3 -3 -3 -3 -3_-4 -4 -4

-4 -4 -4_4 4 4 4 4_-1

-7    -7  7-7   7  7     7  -6*_ 7_6_
Well, the  mus-ic seems to cov – er_

6   6   7-7 7    7  7   -6*_ -6*7___-6*_6_-4_
all the li–quid do the col_ - ors._________

7-7    -7 7-7   7  7    7   -6*_ 76_
 Well, I_ turn my back and go__  for__

6   6   7-7  7   7      7  -6*_ -6*7___-6*_6__
all the  bet-ter things in or__ - der._______

7-7_ -7 7-7   7    7    7  -6*_ 76_
 And  a  gang-ster keep on tell-ing

6    6  7-7  7 7    7    -6*_ -6*7___-6*_6__
that he  got a song that mat_ - ters.______

7-7_ -7 7-7   7 7    7  -6*_ 76_
 So_  I  flip a coin to-wards him,

-56     6  -56   -56 -56   -5-56_  6-5__
  thank you ver – y  much for list– nin’.
 
Outro
.2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2

.2 .2 .2 .2 .2 -2_3 3 3 3 3 3_-3 -3 -3 -3 -3 -3_-4 -4 -4

-4 -4 -4_4 4 4 -4 -3 -4_ -6*__ -4_ -4__ -6*__ -4_ 5__ 7__

7-7 7__ -6*_ -4__ -6*__ -4_ -4__ -6*__ -4_ -4 4 -4 4__

-3 -4 4__ -4__ -3_ -3-4__________


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